Directing the Documentary is the definitive book on the documentary form, that will allow you to master the craft of documentary filmmaking. Focusing on the hands-on work needed to make your concept a reality, it covers the documentary filmmaking process from top to bottom, providing in-depth lessons on every aspect of preproduction, production, and postproduction. The book inc...(展开全部)

Today we live in a world that can no longer be read as a two-dimensional map, but must now be understood as a series of vertical strata that reach from the satellites that encircle our planet to the tunnels deep within the ground. In Vertical, Stephen Graham rewrites the city at every level: how the geography of inequality, politics, and identity is determined in terms of above...(展开全部)

本书收录了中平卓馬2003年在横滨美术馆「原点回归─横浜」的展览之后，直到2009年的彩色摄影作品。作品探索了城市以及自然空间的各个角落。铺满画面的作品展现了小而特别的微世界：植物、动物、人、物品皆为对象。（简介转自出版机构假杂志）

罗德里格·雷耶·罗萨，1958年出生于危地马拉。曾在危地马拉攻读医学专业。之后，到纽约学习电影。其作品被翻译成多种文字。其中比较著名的有：《行乞者的匕首》《寂静的水面》《塞巴斯蒂安逐梦记》《好心的瘸子》《塞维利娜》。其作品两次获得西班牙重要文学奖阿尔法瓜拉奖。并于2004年获危地马拉国家文学奖。

A new edition of Stella Bruzzi's introduction to contemporary non-fiction film. The author addresses key issues within documentary film-making, such as performance, gender, authorship and narrative, and discusses the work of leading film-makers, including Michael Moore, Nick Broomfield and Errol Morris.

Directing the Documentary is a comprehensive manual that has inspired over 100,000 readers worldwide. If you are interested in making documentary films, everything you need technically and conceptually is here. Filled with practical advice on every stage of production, this is the book you will return to throughout your career. Directing the Documentary covers the metho...(展开全部)

Directing the Documentary, Sixth Edition is the definitive book on the form, offering time-tested principles to help you master the craft. Ideal for documentary courses as well as aspiring and established documentary filmmakers, this book has it all, with in-depth lessons and insider perspectives on every aspect of preproduction, production, and postproduction. Focusing on the ...(展开全部)

Endangered life is often used to justify humanitarian media intervention, but what if suffering humanity is both the fuel and outcome of such media representations? Pooja Rangan argues that this vicious circle is the result of immediation, a prevailing documentary ethos that seeks to render human suffering urgent and immediate at all costs. Rangan interrogates this ethos in fil...(展开全部)

免费在线阅读地址： http://kenliu.name/binary/liu_the_man_who_ended_history.pdf